ARTWORKS

COLLECTIONS

Banque UBS.
Kunstmuseum Thurgau.
ACM, archives de la construction moderne,
EPFL, Lausanne.
Fluxlaboratory, Genève.
Musée de l’Elysée, Lausanne.
Fondation Braillard Architectes, Genève.
Collection Galerie Kamel Mennour, Paris.
FRAC Basse-Normandie.
La Filature, scène nationale, Mulhouse.
Collection Chaar.
Collections privées.
...

CLASS & LECTURE

Dessin d'Archi. et Infogarphie, ENAC-CRE, EPFL
Observatoire du paysage, ENAC-CRE, EPFL
Maison de la photographie, Lille
Photographie et lumière, ENAC-SAR, EPFL
Ecole d'art de Bordeaux
Galerie du Granit, Belfort
Ecole d'art d'Aix-en-provence
Structure et lumière, LATER, EPFL
ECAL, University of Art, Lausanne
Class Vincent Mangeat, LATER, EPFL
Architecture chaire, ETHZ, Zürich
Sociology, University of Lausanne
29 homotypies, ACM, EPFL, Lausanne

UMP-ENAC, EPFL.
LAURE,ENAC, EPFL.
école CREA, Genève
Biennale de Belleville, entretien avec Bénédicte Ramade.
Musée de l'Elysée, discussion avec Pascal Beausse et Sam Stourdzé.

	AVAILABLE PRINTS Almost all the pictures shown here are available to buy as photographic prints or installations. Each print will be produced in a very limited edition, defined size and of course signed. For any question about prints or assignment please contact Leo Fabrizio at: mail(at)leofabrizio.com

AVAILABLE PRINTS

Almost all the pictures shown here are available to buy as photographic prints or installations.
Each print will be produced in a very limited edition, defined size and of course signed.

For any question about prints or assignment please contact Leo Fabrizio at: mail(at)leofabrizio.com

	NOWHERE IS SOMEWHERE World 2010 - A photographic answer to the reflection of the writer Pascal Beausse and his project "Nulle part est un endroit". Archetypal Landscapes...
New! Work in Progress

NOWHERE IS SOMEWHERE World 2010 -

A photographic answer to the reflection of the writer Pascal Beausse and his project "Nulle part est un endroit".

Archetypal Landscapes...

New! Work in Progress

	ARCHETYPAL LANDSCAPE World 2008 - *Archetypal Landscape* presents a fragmented retrospective of the work of Leo Fabrizio over a ten-year period – from his latest photographs to his earliest images, testifying to an enduring fascination with the "fabrication" of landscape, and its representation. Paul Cottin
New! Work in Progress

ARCHETYPAL LANDSCAPE World 2008 -

Archetypal Landscape presents a fragmented retrospective of the work of Leo Fabrizio
over a ten-year period – from his latest photographs to his earliest images,
testifying to an enduring fascination with the "fabrication" of landscape, and its representation.
Paul Cottin

New! Work in Progress

	PRECAST CONCRETE World 2008 - A huge and long term research about the history of construction trough the prism of precast concrete technique. Including case studies with masters like Marcel Breuer, I.M. Pei or Mies Van der Rohe, local architects such as Jean-Marc Lamunière or François Maurice, and contemporary brilliant architects such as Andrea Bassi or Claus and Kaan. This research is made at EPFL in the Andrea Bassi's lab called LAURE, in collaboration with the PhD architect Thierry Voellinger.
New! Work in Progress

PRECAST CONCRETE World 2008 -

A huge and long term research about the history of construction
trough the prism of precast concrete technique.

Including case studies with masters like Marcel Breuer, I.M. Pei or Mies Van der Rohe,
local architects such as Jean-Marc Lamunière or François Maurice,
and contemporary brilliant architects such as Andrea Bassi or Claus and Kaan.

This research is made at EPFL in the Andrea Bassi's lab called LAURE,
in collaboration with the PhD architect Thierry Voellinger.

New! Work in Progress

	SOUTH-EAST Mekong 2008 - Research and studies in South-East Asia.
Work in Progress

	SONNENBERG TUNNEL Lucern 2006 The Sonnenberg is a highway tunnel at the entrance of Lucern, builded as a shelter to protect 20'000 people in case of atomic war.
Samples of Work

	GOLDEN CITY Laos 2006-2007- Work in progress project in Northern Laos. Chinese promoters simply bought a province in North Laos to create golf places and "five stars" hotels for their emerging "bourgeoisie". In a very short time, they are building a city from A to Z in the middle of jungle. A city of happiness, "Golden City".
Work in Progress

GOLDEN CITY Laos 2006-2007-

Work in progress project in Northern Laos.

Chinese promoters simply bought a province in North Laos to create golf places and "five stars" hotels for their emerging "bourgeoisie".
In a very short time, they are building a city from A to Z in the middle of jungle.
A city of happiness, "Golden City".

Work in Progress

	DREAMWORLD Thailand 2005-2007 A photographic research in the suburb area of Bangkok. Everything we build, architecture, isn't it a material representation of our dreams? But in this case, if all those representations are made like theatre decoration, tawdry but empty, what is the value of our dreams? Dans une mégapole, où chaque espace est le théâtre d’une lutte pour l’occuper, entre jungle et marais, autoroutes ou buildings, se dégagent de véritables décors de théâtre. Désertés de toute présence, ils semblent être les témoins d’une représentation qui c’est achevée. Il en découle alors un certain vertige, comme si les décors du théâtre se suppléaient au réel, devenant la seule référence. Les lacs des golfs une allégorie de la nature, les lotissements à l’Américaine l’unique perspective. Tout ce que l’on construit, l’architecture, n’est elle pas une représentation matérielle de nos rêves ? Mais dès lors, si toutes ces représentions sont l’ordre du décor en carton-pâte, creuses mais clinquantes, qu’en est-il de nos rêves ?
Samples of Work	See also: Books/DREAMWORLD

DREAMWORLD Thailand 2005-2007

A photographic research in the suburb area of Bangkok.
Everything we build, architecture, isn't it a material representation of our dreams?
But in this case, if all those representations are made like theatre decoration, tawdry but empty, what is the value of our dreams?

Dans une mégapole, où chaque espace est le théâtre d’une lutte pour l’occuper, entre jungle et marais, autoroutes
ou buildings, se dégagent de véritables décors de théâtre. Désertés de toute présence, ils semblent être les témoins
d’une représentation qui c’est achevée.
Il en découle alors un certain vertige, comme si les décors du théâtre se suppléaient au réel, devenant la seule référence.
Les lacs des golfs une allégorie de la nature, les lotissements à l’Américaine l’unique perspective.
Tout ce que l’on construit, l’architecture, n’est elle pas une représentation matérielle de nos rêves ? Mais dès lors, si
toutes ces représentions sont l’ordre du décor en carton-pâte, creuses mais clinquantes, qu’en est-il de nos rêves ?

Samples of Work